♪ Spending all my nights alone,
waiting for you to call me ♪ ♪ You’re the only one I want
by my side when I fall asleep ♪ ♪ Tell me what I’m waiting for ♪ ♪ Tell me what I’m waiting for ♪ ♪ I know it’s hard, but
we need each other ♪ ♪ Know it’s hard, but
we need each other ♪ ♪ I move mountains on my
own, don’t need nobody help ♪ ♪ Change your mind
when I change my life ♪ ♪ Better start
believing in myself ♪ ♪ And we all now, looking
for, looking for God ♪ ♪ So we never see
it in ourselves ♪ ♪ Should divine
intervention move itself ♪ ♪ It’s hard to tell
what do prayer compel ♪ ♪ You can find me dancin’
in between the raindrops ♪ ♪ Tryna find a way to
make the pain stop ♪ ♪ Overtime on the graveyard ♪ ♪ Got me, got me feelin’ real ♪ ♪ Watch my instability’s
trademark ♪ ♪ Copywritten in
all my decisions ♪ ♪ This is not supposed
to be a way of living ♪ ♪ Tear my temple
down into a prison ♪ ♪ Spending all my nights alone,
waiting for you to call me ♪ ♪ You’re the only one I want
by my side when I fall asleep ♪ ♪ So right now you ♪ ♪ Tell me what I’m waiting for ♪ ♪ Yeah, babe ♪ ♪ Tell me what I’m waiting for ♪ ♪ Yeah, boy ♪ ♪ I know it’s hard, but
we need each other ♪ ♪ Know it’s hard, but
we need each other ♪ ♪ Yeah, back on Vincent
with the braces on ♪ ♪ You slide out the back
without the neighbors knowin’ ♪ ♪ Pose for the picture
with the pearly whites ♪ ♪ That lens zooming in,
catching all my stripes ♪ ♪ Used to trade a
joint for some ♪ ♪ And she gave me all
I need for the night ♪ ♪ 40s suffice, morally alright,
but I need some advice ♪ ♪ And I know that
I’m acting foolish ♪ ♪ Could you pick me
up around noon-ish ♪ ♪ Yeah, we coolin’ ♪ ♪ Twist it up,
puttin’ on OutKast ♪ ♪ Time to take a seat
and yeah we cruisin’ ♪ ♪ And I love you right ♪ ♪ I love you right ♪ ♪ All by yourself ♪ ♪ But I make it right ♪ ♪ Baby, I want you to know ♪ ♪ I’ma be there for you ♪ ♪ I’ma make you see that ♪ ♪ I want you ♪ ♪ I want you ♪ ♪ Spending all my nights alone,
waiting for you to call me ♪ ♪ Waiting on you ♪ ♪ You’re the only one I want
by my side when I fall asleep ♪ ♪ Still waiting on you ♪ ♪ Tell me what I’m waiting for ♪ ♪ Yeah, babe ♪ ♪ Tell me what I’m waiting for ♪ ♪ Yeah, boy ♪ ♪ I know it’s hard, but
we need each other ♪ ♪ Know it’s hard, but
we need each other ♪ ♪ And back and forth ♪ ♪ I’ll take that if that’s
all you asking for ♪ ♪ With my legs up
on the dashboard ♪ ♪ Only thing in my pocket
is my passport, passport ♪ ♪ Back and forth ♪ ♪ I’ll take that if that’s
all you asking for ♪ ♪ Asking for now ♪ ♪ With my legs up
on the dashboard ♪ ♪ The dashboard, dashboard ♪ ♪ Only thing in my
pocket is my passport ♪ ♪ Passport ♪
♪ The dashboard I’m telling ♪ ♪ Back and forth ♪ ♪ I’ll take that if that’s
all you asking for ♪ ♪ With my legs up
on the dashboard ♪ ♪ The dashboard, dashboard ♪ ♪ Only thing in my
pocket is my passport ♪ ♪ The dashboard ♪
♪ Passport ♪ ♪ So do you love me,
love me, love me ♪ ♪ Do you love me,
love me, love me ♪ ♪ Do you love me,
love me, love me ♪ ♪ Do you love me, no ♪ ♪ Do you love me,
love me, love me ♪ ♪ Do you love me,
love me, love me ♪ ♪ Do you love me,
love me, love me ♪ ♪ Do you love me, love me ♪ ♪ No ♪ ♪ Spending all my nights alone ♪ ♪ Waiting for you to call me ♪ ♪ You’re the only one I want ♪ ♪ By my side when
I fall asleep ♪ ♪ Tell me what I’m waiting for ♪ – “Sugar” started with Dom,
if you wanna start that off. – It was just your vocal
and the beat at first. – Yeah. ♪ I move mountains on my own ♪ ♪ Don’t need nobody help ♪ – Jabari was downstairs
with his friend Chux, and they were just working on a bunch of different
sounds and styles and stuff like that,
and then Jabari came up with this guitar
melody he had him play, and then I was just
listening to it, and just kinda like… tapped into a space where… I was trying to find myself
again, if that makes sense. The lyrics are kind of like
literally a description of my life when I was
living in San Marcos, working at Target, trying
to figure out a way to make it to the
next place in my life. ♪ I know it’s hard ♪ ♪ But we need each other ♪ ♪ Know it’s hard ♪ ♪ But we need each other ♪ ♪ Yeah back on Vincent
with the braces on ♪ ♪ You slide out back without
the neighbors knowin’ ♪ – My verse is
about my childhood, high school times. Just like nostalgic stuff, that the hook when he
laid his stuff down, and then Ryan Beatty
put the hook on it, it really drew nostalgic
feelings from me, so that’s where I pulled from. – Ryan, he’ll hang out
with us at our house. So he kinda came
up with the melody, and then he was
puttin’ words to it, and me, him, and Bari,
I think, Dom too, were just all
throwing ideas out, and we kind of wrote the
hook together, basically, really fast, and then
I just encourage them to lay the chorus down, and it became the
hook, it stuck. Everyone liked it. ♪ I’ma make you see
that I want you ♪ – For me, it’s all right to not really know
what you’re doing. It’s all right to not
have it figured out, in terms of our
relationships, and love, and stuff like that. And I feel like it’s
nice to have a song that kinda speaks
to that feeling, of not really knowing what’s up. That’s my take-away, every time we perform
it on stage and stuff. ♪ So do you love me ♪ ♪ Love me, love me ♪ ♪ Do you love me ♪ ♪ Love me, love me ♪ ♪ Do you love me ♪ ♪ Love me, oh ♪ (“St. Percy” by Brockhampton) ♪ I’m the same one you seen
in the classroom, aye ♪ ♪ We was chillin’ in the stall
makin’ crowds move, aye ♪ ♪ Young K still posted
in the A like a Brave ♪ ♪ No chain, you boys got
what make my neck bang ♪ ♪ Banging on your speaker,
hanging on your speaker, baby ♪ ♪ I need to find the reason
to make you believe me, baby ♪ ♪ Young Nolan, PlayStation
controller ♪ ♪ Send ’em just to get ’em ♪ ♪ I hit ’em when it is over ♪ ♪ Roll over no toaster, yo
soldier ♪ ♪ I told ya I’m back
whenever the storm is over ♪ ♪ Send it back to them all if
they wanna feel the clover ♪ ♪ No closure, never reply to
faux orders ♪ ♪ My sold sculpture, such a
short quota ♪ ♪ Police pull up on me, boy,
I kept that cold shoulder ♪ ♪ Cop runneth over for a hunnid
orders ♪ ♪ All I got is pennies,
still want me to flow, bruh ♪ ♪ There’s no love in the ghetto
♪ ♪ Money, money, we are
just getting shackled ♪ ♪ There is no love in the ghetto
♪ ♪ Money, money, we are
just getting let go ♪ ♪ Oh ♪ ♪ How you do that right there,
boo ♪ ♪ I’m bamboozled, yeah ♪ ♪ Legs go up behind the head
like leopard ambushin’ ♪ ♪ Give her space, big ol’
drop, call it Grand Canyon ♪ ♪ One, she bust back, blow
a fuse out the damn cannon ♪ ♪ Circus ol, okay, Rolie ♪ ♪ Polie, slide that pole, yeah ♪ ♪ Low blow, not seen like a dodo
♪ ♪ I skip fall, stay snow globe ♪ ♪ Stuck inside the corridor ♪ ♪ Make me go so loco ♪ ♪ Major League, I’m Sheen ♪ ♪ Call me Wild Thing ♪ ♪ She got strings all up the
neck just like a violin ♪ ♪ I crave that chada-ching ♪ ♪ When that venom sting ♪ ♪ Eyes turn redder than a cherry
stem ♪ ♪ Run up a check, aye, ah ♪ ♪ Hit ’til I miss, aye, ah ♪ ♪ And they keep on hittin’ ♪ ♪ My ain’t quitting ♪ ♪ They way too legit, aye, ah ♪ ♪ Don’t get on my list, aye, ah
♪ ♪ I’m from the abyss, aye, ah ♪ ♪ You saying you real ♪ ♪ But I watch how you act
and I can’t be convinced ♪ ♪ Smokin’ ’em out like a habit ♪ ♪ You know we could make it
tragic ♪ ♪ Money had never made a ♪ ♪ We holdin’ all our
money in the mattress ♪ ♪ Fire rapid like a savage ♪ ♪ Taste is way above your palate
♪ ♪ No, I ain’t for burying the
hatchet ♪ ♪ Take a break to pick apart
the balance of this madness ♪ ♪ You got big boy money
like you ready for war ♪ ♪ You be talkin’ like you
really gon’ run that dough ♪ ♪ You be runnin’ like the snot
drainin’ in from your nose ♪ ♪ That’s that ice cream
sugar, that cocaine throat ♪ ♪ And this shit gon’ bounce
like my shin off your dome ♪ ♪ And you know these boys deep,
we ain’t fittin’ in the door ♪ ♪ And my dogs they bark,
Michael Vick on fours ♪ ♪ Boy this shit long gone,
why you hit my phone ♪ ♪ Put your hands up ♪ ♪ Put your two hands up ♪ ♪ Hands up ♪ ♪ Hands up ♪ ♪ Put your two hands up ♪ ♪ Put your hands ♪ ♪ Hands up, hands up ♪ ♪ Hands up, hands up ♪ ♪ Put two ♪ ♪ Hey, now say Brockhampton ♪ ♪ Brockhampton ♪ ♪ Say Brockhampton ♪ ♪ Brockhampton ♪
♪ Say Brockhampton ♪ ♪ Say Brockhampton ♪ ♪ Hey one, two, three, go ♪ ♪ Yo, murder man, murder man ♪ ♪ What ♪ ♪ Someone better hold me ♪ ♪ Before this gets ugly ♪ ♪ Murder man, murder man ♪ ♪ Someone better hold me, murder
man ♪ ♪ Get stuck, get stuck ♪ ♪ Murder man, murder man ♪ ♪ Someone better hold me ♪ ♪ Before this gets ugly ♪ ♪ Murder man, murder man ♪ ♪ Someone better hold me ♪ ♪ Move back I’m ’bout to snap ♪ (“St. Percy” playing) – “St. Percy” is, you
don’t really get calculated with like our songs and stuff. Until we start to figure
out, what the album is. So like we’ll have, A lot of songs then realize you don’t
have enough rap songs on the album to
like balance it out. And that’s where “St. Percy”… That’s how we made “St.
Percy cause there weren’t, there were not enough rap songs. I don’t think there
were any really. ♪ Make you believe me, baby ♪ ♪ Young NOLA,
PlayStation controlla ♪ ♪ Send ’em, just to get ’em,
I hit ’em when it is over ♪ – Sometimes, I
just wanna capture like a specific mood and spirit. I wanted to capture like,
I guess the spirit of like Lil Wayne and New Orleans and like, Master P. And that’s why I
say Young Nola cause I’m thinking about Lil Wayne. It means nothing really. ♪ How you do that right there,
boo, I’m bamboozled, yeah ♪ ♪ Legs go up behind the head
like leopard ambushin’, huh ♪ – [Matt Champion]
For me on “St. Percy I was just having fun, honestly. – Me too. – I just was writing to enjoy
whatever I was putting out. – That was the first
verse I wrote in my house. [Dom McLennon] Like
when like, when we like all got our own place
and stuff like that, I remember… Actually (mumbles) came over
to my house, in like January (mumbles) that time and we made
like this really cool song. And I just like had this fun
verse that I Wrote on that. And I was like, oh
this is kinda tight but never did anything. And then I heard St. Perry
when I walking into the hotel that they were making it in. And I was like, “Holy, this
is perfect for this verse”. Like, So I just like
recorded it like immediately. ♪ “St. Percy” ♪ – [Merlyn Wood] “St. Percy”
was like very personal. It was like, music
is therapy to me. – Why was it personal to you? – Cause I wrote my verse
about a friend that died. And they said it was suicide,
but I think he got murdered. Every time I heard those
lyrics, I think of Geo Abdullah. ♪ Murder man, murder man ♪ ♪ Someone better hold me
back, I’m bout to snap. ♪ – What’s up MTV? We’re Brockhampton and
we’re about to Push Play. ♪ You’re the only one I want
by my side when I fall asleep ♪ ♪ Tell me what I’m waiting for ♪ ♪ Tell me what I’m waiting for ♪ – [Dom] Song that reminds
me of my childhood, “Getting Jiggy Wit It”, Will
Smith. (laughs) – A song that reminds me of my
childhood, “Hot In Here” – Nelly. Sunset, driving through
Texas, slow down, hello. ♪ And we all now, looking
for, looking for God ♪ ♪ So we never see it in
ourselves ♪ – A song on my gym playlist
that gets me pumped up, is that song where Meek Mill
says, “In that neighborhood in
Philly that I can’t go.” – [Dom & Kevin] “Going Bad”. – [Dom] I just love how Meek
Mill sounds on that song. – A song that gets me going in
the gym is “MOSHPIT” by Baby Keem. ♪ Copywritten in all my
decisions ♪ ♪ This is not supposed
to be a way of living ♪ – [Dom] “Bop” by DaBaby. I mean, it’s a bop, isn’t it?
(laughs) Like, what? – “Memories” by Kid Cudi. – [Merlyn] Mmm. – That’s the song I listened to before I went out, on the town. – “Give It To Me Baby” by Rick
James. I like to listen to that before
I go out. ♪ I know it’s hard, but
we need each other ♪ ♪ Yeah, back on Vincent
with the braces on ♪ – [Kevin] MTV different! If I want to get into a sexy
mood, I’ll put on anything by Lizzo. – Man, Syd makes me feel
really sexy, bro, like. – I respect that. – “Do U Wrong”, Leven Kali,
featuring Syd. ♪ Passport, passport ♪ – [Matt] I haven’t had
a break up in a while, but I’d put on “Bags” by Clairo. – That’s sad as hell. – [Merlyn] I’d put on
“All Along” by Kid Cudi. ♪ Love me, love me, do
you love me, love me ♪ – [Kevin] Before we hit
the stage, man, we’d just– – Listen to “Stay” by Rihanna. – [Kevin] Listen to “Stay” by
Rihanna. – [Matt] Literally every time. – Then we pray, we pray, man. – Yeah. – I know that wasn’t the
question. ♪ Love me, love me ♪ ♪ Do you love me, love me, love
me ♪ ♪ Do you love me, love me, love
me, oh ♪ – Drew Kiko.
– I Drew Kiko. – That’s better than mine. – It’s hilarious! – That’s how I drew–
– You drew him like Wizard Kelly>
(group laughs) (upbeat pop music) – What’s up MTV? We’re Brockhampton. (upbeat pop music) (Kevin laughs) – Who that? – This is Kiko. He’s just funny, he always
makes everybody laugh and is just always
has a good attitude. – Did you draw Kiko too? – You draw yourself? – I drew Ian. I thought it was, I
tried to go for realism. – Hey guys, I’m stupid? – Yeah. It’s realism. – I just turned the MTV
logo into Romil’s name. It’s just ’cause I
don’t know how to draw. So I just did that. – Who you draw? – I drew, what’s his name? Ann Leader. Like yo, he
discovered me while– – That’s fly!
– While I was at McDonalds. – You snapped. – Auto rockers. – Kiko. (upbeat pop music) – This is the BH house. – Put your pencils down. – And I like for
the top of the house to have some meek hair. Maybe like some type of
dreadlocks or something. And maybe it’d be like a
golden type color thing. And then the window would be these giant windows
with a B and a H. And I don’t want one door at
the crib, I want three doors. It’s just so many
of us, you know? – Is there a
reference to the band? – Boom, boom, boom, you know? Three doors down type. (Matt laughs) – Again, I went for realism. I did a trash, a
giant trash can. – But–
– That’s kinda cool. I was actually gonna do that. – I tried to draw the
kids next door tree house. But it’s really bad. I don’t really know how
to draw a tree or a house. So–
– It’s okay. – I drew a weird
how with a moat, and a Loch Ness Monster. – Aye!
– That’s cool. – That’s cool. – Whoa! – Yeah, we had like a helipad. – That’s hard! – He went full architect mode. – Yeah, it got like
a spiral staircase, and then this a house. – [Matt] Is that mahogany? – Yeah, yeah, this is mahogany. Yeah, yeah, this
is a green roof. And this is a pool
with dolphins. The dolphins, you can’t see. (upbeat pop music) – I drew my face. I feel like it would
make a good logo. – Mine just says
I suck at drawing. ‘Cause I tried one
and it was really bad. – It’s like some bubbles. – That’s actually kind of fly. – [Bearface] Is it
a logo for imps? Yeah. – That’s cool, small B. That’s cool.
(upbeat pop music) – This the sad face one. – Well, mines a combination
of multiple emojis. Here, mine is the
head exploding emoji, puking at the same time. – Mine is 100.
(Dom laughs) I’ma keep it true.
(Dom laughs) I’ma keep it real. So I’ma keep it true,
and I’ma keep it 100. That’s just how it is. Like as raw as unfiltered. – I drew the crying emoji. But he’s crying so bad that
his eyes are blood red. And he bit his lip. – Aw! – I feel bad for him. (upbeat pop music) – I don’t really try to
stay true to my roots. I just am, sorry. (R&B music) – What’s up, we’re Brockhampton and we’re gonna
answer some questions based off the titles
of our tracks. Like this right here, huh. What’s your favorite
on tour snack? – My favorite snack on
tour, I like yogurt. (laughing) – I’ve never seen you
eat yogurt in my life. – I like grapes. – Grapes are fire. – That’s pretty good. – That was good. – I’m a go with grapes, too. – Grapes, all right. How did Shia LaBeouf
influence this album? We probably all got
different answers, but for me, he just has
changed my life in every way. So, I’m just a different
person ’cause of him. He’s made me a more
confident person and made me trust my ideas more. Try to understand people more and not just write
stuff off so fast. – I admire him and
his work and who he is and how he carries himself. So that influenced me a
lot on working on changing. – I really like his empathy. He’ll stare you in the
eyes and you have his, you have his 100% attention, and I just wanna
do that in my life. – His perspective on a lotta
things is very inspiring. – He was just a catalyst
to a lotta people, being honest with themselves
in different ways. – How do you stay
true to your roots? – So I try to stay in contact
with people I grew up with. I try to sometimes go back home. I try to listen to old
music that I would listen to when I was a kid. That’s how I try to
stay true to my roots. – I try to call my family,
call my mom, talk to them. I try to do it everyday. Doesn’t always happen,
but that’s what I try. – Stay hungry. Pretend like I’m just a
kid moving to Los Angeles, wanting to play the
hippest music of the times. – I don’t really try to
stay true to my roots. I just am, sorry. – What’s it like making
music with friends? – The best thing in the world. – Do you guys agree? – Yeah. – Let’s move on. What are your 2020 goals? My 2020 goal is I just
wanna make better stuff, more stuff, stay
creative, stay healthy. – I wanted to do all
that you just said and I wanna learn how to
make catfish really good. – Yeah, I wanna
learn how to cook. I gotta get my driver’s license. I stop taking my classes. I got on the highway
and I just stopped. Get a therapist. MTV, thank you for
watching us, man. This has been a pleasure. It’s been a great time. (mellow music)